The A.R.T. Guide (2018, Editor)
The A.R.T. Guide, "Endlings" (2019, Editor)
The A.R.T. Guide, "We Live in Cairo" (2019, Editor)
A.R.T. Guide, Anna Deavere Smith's "Notes from the Field" (2016, Editor)
A.R.T. Guide, "The Bitter Game" (Editor, 2018)
A.R.T. Guide, The Abbey Theatre's "The Plough & the Stars" (2016, Editor)
A.R.T. Guide, "WARHOLCAPOTE" (2018, Editor)
Industrialization in the Gulf: A socioeconomic revolution (Routledge 2010, Editorial Assistant)
A.R.T. Guide, "The I.D. Festival" (2016, Editor)
A.R.T. Educational Toolkit, The TEAM's "RoosevElvis" (2016, Publications Fellow)
A.R.T. Guide, "The Night of the Iguana" (2017, Editor)
Revolution in the Arab World: The Long View (Georgetown CCAS 2010, Editorial Assistant)
A.R.T. Production Program, "The Night of the Iguana" (2017, Editor)


Robert's work as a writer and editor includes pieces for HowlRoundContemporary Theater Review (Routledge), Breaking Character Magazine (Samuel French), The A.R.T. GuideThe Theater Times, and other publications. This page shows a selection of published writing. 

Meanwhile: Becoming Porous | Mientras Tanto: Hacia La Porosidad

Though we were often tempted by earnest solemnity, each discordant reality embodied in our collective urged us to consider the punch line, the satire, and the clown as perhaps more appropriate aesthetic signatures for an imbalanced and hypocritical era.
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There Is No Line: Director Jenny Koons on the Politics of Participation

​The room is the thing for Burn All Night director Jenny Koons. Grounding her directing work in experience as an educator and organizer, Koons sees rooms—rehearsal rooms, classrooms, and performance venues—as the spaces where we model, and redefine, the social patterns of oppression or liberation.
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In Kraków, Good Ghosts and Bad at the 2017 Divine Comedy Festival

In Kraków, Poland, the centuries live together like neighbors. Walking the city center’s warren of medieval alleyways and avenues, a traveler finds temporal juxtapositions ranging from the enticing to the astounding.
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Exhibits of Evanescence: Performing Arts Curation Strategies from Kraków’s Theatre Museums

An LED screen in a stairwell of the museum displays an unforgettable picture. A row of Baltic beachgoers lounge in the foreground; shirtless and suntanned, they recline within reach of the advancing surf. Their attention, and ours, is fixed on a figure some yards out at sea. Perched above the waves on a stepladder, arms raised like an uncanny celebrant, stands a man in a tuxedo: he is conducting the waves.

Despite Bomb Threats, "Out of The Blue" Plays On (Internationally)

Out of the Blue, currently playing at Moscow’s Satirikon Theater, is restricted to ages 21 and up. Written by Vladimir Zaytsev, the drama follows a gay teenager’s struggle to come out to his friends and family, and to survive the series of remedies that they prescribe to “fix” him. For audiences in Russia and abroad, the play offers a rare chance to experience the stories of Russia’s LGBTQ youth.